DriverTeamGroup.com
🌐 DriverTeamGroup.com
Welcome to the official home of the Ask For Bill Production - That 90's Show Studios Presentation studio network. Visitors arrive here to explore the productions, services, and creative projects developed by our team. This site acts as the central hub, connecting you to every domain in the Driver Team Group universe. From here, you can learn about our work, meet the creators behind the scenes, and navigate to any of our affiliated pages.
💼 ApprovedAdvertising.com
Our official opt‑in portal for bold, clever marketing. This site introduces visitors to Barely Legal Services, led by Luce D under the Loophole Logistics Division™. The tone is playful but professional — a satirical twist on advertising culture presented through a polished, trustworthy interface. Here, visitors can opt in, learn more about our creative approach, and see how we blend humor with real marketing strategy. Explore Approved Advertising.
🚫 ImNotInterested.com
A humorous, self‑aware opt‑out experience. Instead of a boring unsubscribe page, visitors are greeted with a witty, personality‑driven message crafted by J Phats and Viewer Discretion Industries™. This page gives people a respectful way to opt out while still enjoying the comedic tone that defines our studio’s voice. Visit Im Not Interested.
🎥 AllStarsDelivery.com
Your access point to the cast, clips, and characters of our productions. This site serves as the entertainment hub for the Driver Team Group. Visitors can browse performer profiles, watch featured videos, and explore behind‑the‑scenes content from our various productions. It’s the digital showcase for the talent and creativity that power our studio universe. Check out All Stars Delivery.
🤝 DeliverySupportNetwork.com
Where our studio’s nonprofit mission comes to life. This is the official donation and information portal for our 501(c)(3) initiative. Visitors can learn how we support the community, how contributions are used, and how they can get involved. The tone is transparent, sincere, and rooted in the values that guide our organization. Support the mission at Delivery Support Network.
🚚 EZCleanEZHaul.com
Our real‑world service division — reliable, professional, and ready to work. This site showcases the hauling and cleaning services offered by EZ Clean EZ Haul LLC. Visitors can explore our services, request help, and see how the same professionalism behind our creative projects carries into our day‑to‑day operations. Visit EZ Clean EZ Haul.
Bill Edwards — The Legend Behind the Curtain:
Bill Edwards is an American businessman, real‑estate developer, and former owner of the Tampa Bay Rowdies, known for his major influence on St. Petersburg’s growth and cultural landscape. He grew up in Massachusetts and later served in the U.S. Marine Corps during the Vietnam War, earning a Purple Heart. After the war, he moved into the mortgage industry in Detroit, eventually leading Mortgage Investors Corp., once one of the nation’s largest VA lenders.
In St. Petersburg, Edwards became a major civic and business figure, purchasing and redeveloping key properties such as BayWalk (renamed Sundial) and the Tropicana Block, and managing the Mahaffey Theater. He also founded the Bill Edwards Foundation for the Arts, which fundded large-scale arts programming and youth access initiatives at the theater.
In 2013, Edwards bought a controlling interest in the Tampa Bay Rowdies, investing heavily in the club, Al Lang Stadium, and youth soccer development before selling the team in 2018.
The world around Bill Edwards wasn’t just shaped by his business empire — it also became the backdrop for the rise of one of his most unexpected characters: Guy deLaunay. What follows isn’t a traditional bio. It’s the origin story of the man who turned call centers into theater productions, chaos into structure, and eventually helped spark the creative universe now known as Ask For Bill Production.
Guy deLaunay — The Chaos That Sparked a Production Company
And then there was Guy — a story that didn’t begin in a boardroom, but in a place far rougher. Fresh out of G12 Max Security in Pinellas County jail, where he spent his days surrounded by murderers, chaos, and the kind of characters who make documentaries nervous, Guy deLaunay walked out of with nothing but a pulse. Salvation arrived in the form of J Phats, who told him, “Come work at the mortgage company before you end up back in there.” One handshake later, Guy was hired by Jim McMahon to work for St. Petersburg titan Bill Edwards — a man who owned half the city and ran the other half.
But, Guy deLaunay didn’t just walk into the mortgage company — he crashed into it like a man who had seen death, chaos, and county-issued bologna sandwiches and decided he deserved better. Under the watchful eye of Frank Erickson, one of the Company’s director and part-time crisis negotiator, Guy transformed the call center into a full-blown game show. Microphone in hand, he ran the floor like a caffeinated host on cable access TV: lights, cheering, spiff money, World's Finest Chocolate, and the legendary Hopper, a machine so “complicated” that only a select few knew the truth — it was just one red button. But the illusion was everything. The Tower wasn’t a department… it was a carefully choreographed theater production where everyone acted like they were launching rockets instead of booking appointments.
Then came Brooklyn Mike — Bill Edwards’ unofficial nephew, chaos ambassador, and the only man who could ask for “a dollar” and mean “a hundred.” With Mike’s arrival, Guy suddenly had the power to promote his entire old sector: The Battleship telemarketers, reps, and misfits were elevated into Lead Management and the Tower like it was the NFL Draft. Guy built a dynasty of loyal Tower soldiers who all knew the secret: look busy, talk fast, and never let anyone know the Hopper was just a button.
After the Mortgage Company was no longer around, Guy quickly rose through the ranks at the Tampa Bay Rowdies for Bill Edwards, moving from ticket sales to running the entire sales office after his first season, where he led revenue strategy, coached the sales team, and elevated overall performance. This is where the catchphrase Ask For Guy was born.
Then, when Lori Belvedere went on pregnancy leave, Guy didn’t just fill in — he ran the Mahaffey Theater call center like it was Broadway. He kept the phones alive, the chaos contained, and the staff convinced that everything was under control (even when it absolutely wasn’t). And when he finally wrote a roast of Bill Edwards, Bill did the most Bill thing possible: according to Guy, he took over the entire production. Overnight, Ask For Guy became Ask For Bill Production, with Guy promoted, demoted, and repurposed into the universe’s chaotic narrator.
Now, Guy has built a full cinematic empire: Lori as the boss, Frank as the director, Luce D running Barely Legal Services, J Phats as the head of Viewer Discretion, and a cast of characters who make the Tower look like a warm-up act. All of it filmed, staged, or improvised under the neon glow of That 90’s Show Studios — where the truth is optional, the chaos is real, and the Hopper still only has one button.
Welcome to the official home of the Ask For Bill Production - That 90's Show Studios Presentation studio network. Visitors arrive here to explore the productions, services, and creative projects developed by our team. This site acts as the central hub, connecting you to every domain in the Driver Team Group universe. From here, you can learn about our work, meet the creators behind the scenes, and navigate to any of our affiliated pages.
💼 ApprovedAdvertising.com
Our official opt‑in portal for bold, clever marketing. This site introduces visitors to Barely Legal Services, led by Luce D under the Loophole Logistics Division™. The tone is playful but professional — a satirical twist on advertising culture presented through a polished, trustworthy interface. Here, visitors can opt in, learn more about our creative approach, and see how we blend humor with real marketing strategy. Explore Approved Advertising.
🚫 ImNotInterested.com
A humorous, self‑aware opt‑out experience. Instead of a boring unsubscribe page, visitors are greeted with a witty, personality‑driven message crafted by J Phats and Viewer Discretion Industries™. This page gives people a respectful way to opt out while still enjoying the comedic tone that defines our studio’s voice. Visit Im Not Interested.
🎥 AllStarsDelivery.com
Your access point to the cast, clips, and characters of our productions. This site serves as the entertainment hub for the Driver Team Group. Visitors can browse performer profiles, watch featured videos, and explore behind‑the‑scenes content from our various productions. It’s the digital showcase for the talent and creativity that power our studio universe. Check out All Stars Delivery.
🤝 DeliverySupportNetwork.com
Where our studio’s nonprofit mission comes to life. This is the official donation and information portal for our 501(c)(3) initiative. Visitors can learn how we support the community, how contributions are used, and how they can get involved. The tone is transparent, sincere, and rooted in the values that guide our organization. Support the mission at Delivery Support Network.
🚚 EZCleanEZHaul.com
Our real‑world service division — reliable, professional, and ready to work. This site showcases the hauling and cleaning services offered by EZ Clean EZ Haul LLC. Visitors can explore our services, request help, and see how the same professionalism behind our creative projects carries into our day‑to‑day operations. Visit EZ Clean EZ Haul.
Bill Edwards — The Legend Behind the Curtain:
Bill Edwards is an American businessman, real‑estate developer, and former owner of the Tampa Bay Rowdies, known for his major influence on St. Petersburg’s growth and cultural landscape. He grew up in Massachusetts and later served in the U.S. Marine Corps during the Vietnam War, earning a Purple Heart. After the war, he moved into the mortgage industry in Detroit, eventually leading Mortgage Investors Corp., once one of the nation’s largest VA lenders.
In St. Petersburg, Edwards became a major civic and business figure, purchasing and redeveloping key properties such as BayWalk (renamed Sundial) and the Tropicana Block, and managing the Mahaffey Theater. He also founded the Bill Edwards Foundation for the Arts, which fundded large-scale arts programming and youth access initiatives at the theater.
In 2013, Edwards bought a controlling interest in the Tampa Bay Rowdies, investing heavily in the club, Al Lang Stadium, and youth soccer development before selling the team in 2018.
The world around Bill Edwards wasn’t just shaped by his business empire — it also became the backdrop for the rise of one of his most unexpected characters: Guy deLaunay. What follows isn’t a traditional bio. It’s the origin story of the man who turned call centers into theater productions, chaos into structure, and eventually helped spark the creative universe now known as Ask For Bill Production.
Guy deLaunay — The Chaos That Sparked a Production Company
And then there was Guy — a story that didn’t begin in a boardroom, but in a place far rougher. Fresh out of G12 Max Security in Pinellas County jail, where he spent his days surrounded by murderers, chaos, and the kind of characters who make documentaries nervous, Guy deLaunay walked out of with nothing but a pulse. Salvation arrived in the form of J Phats, who told him, “Come work at the mortgage company before you end up back in there.” One handshake later, Guy was hired by Jim McMahon to work for St. Petersburg titan Bill Edwards — a man who owned half the city and ran the other half.
But, Guy deLaunay didn’t just walk into the mortgage company — he crashed into it like a man who had seen death, chaos, and county-issued bologna sandwiches and decided he deserved better. Under the watchful eye of Frank Erickson, one of the Company’s director and part-time crisis negotiator, Guy transformed the call center into a full-blown game show. Microphone in hand, he ran the floor like a caffeinated host on cable access TV: lights, cheering, spiff money, World's Finest Chocolate, and the legendary Hopper, a machine so “complicated” that only a select few knew the truth — it was just one red button. But the illusion was everything. The Tower wasn’t a department… it was a carefully choreographed theater production where everyone acted like they were launching rockets instead of booking appointments.
Then came Brooklyn Mike — Bill Edwards’ unofficial nephew, chaos ambassador, and the only man who could ask for “a dollar” and mean “a hundred.” With Mike’s arrival, Guy suddenly had the power to promote his entire old sector: The Battleship telemarketers, reps, and misfits were elevated into Lead Management and the Tower like it was the NFL Draft. Guy built a dynasty of loyal Tower soldiers who all knew the secret: look busy, talk fast, and never let anyone know the Hopper was just a button.
After the Mortgage Company was no longer around, Guy quickly rose through the ranks at the Tampa Bay Rowdies for Bill Edwards, moving from ticket sales to running the entire sales office after his first season, where he led revenue strategy, coached the sales team, and elevated overall performance. This is where the catchphrase Ask For Guy was born.
Then, when Lori Belvedere went on pregnancy leave, Guy didn’t just fill in — he ran the Mahaffey Theater call center like it was Broadway. He kept the phones alive, the chaos contained, and the staff convinced that everything was under control (even when it absolutely wasn’t). And when he finally wrote a roast of Bill Edwards, Bill did the most Bill thing possible: according to Guy, he took over the entire production. Overnight, Ask For Guy became Ask For Bill Production, with Guy promoted, demoted, and repurposed into the universe’s chaotic narrator.
Now, Guy has built a full cinematic empire: Lori as the boss, Frank as the director, Luce D running Barely Legal Services, J Phats as the head of Viewer Discretion, and a cast of characters who make the Tower look like a warm-up act. All of it filmed, staged, or improvised under the neon glow of That 90’s Show Studios — where the truth is optional, the chaos is real, and the Hopper still only has one button.